13 September 2010

Water Exhibition Review

Water is a theme that can be interpreted in many ways. For centuries it has been worshiped for its life giving qualities, its beauty, and its serenity, as well as feared for its destructive qualities. From an artistic standpoint, there are many ways to approach the topic of water and at the entrance to Water, the wall text states the intention of the exhibition: “To provoke a reassessment of your relationship to water and a greater appreciation for its life giving presence on our blue planet.” There is a great display of water in many forms through an interesting combination of work that is owned by the Zimmerli along with some borrowed works. It shows art that normally would not be seen together and is a great use of such a diverse collection. The time and differences that span across the creation of each artwork emphasizes the important role that water has played throughout the ages for artists from all walks of life. Everything in the exhibition seems to ‘flow’ one into the other. Each idea spills into the next due to the positioning of the artwork at a close distance and helps the viewer to draw connections between each piece. For example in one room the basic theme was water in the landscape. Displayed between a painting by John Constable called Brighton Beach and John Jesse Barker’s View of New Brunswick Railroad Bridge was Edward Foley’s piece entitled Two Lakes (diptych). Foley’s screen print on wood challenges the classical depiction of the landscape, while Constable and Barker’s paintings fit the more traditional description of a landscape--a vast sky, wilderness, and some form of water. Through these pairings, the missing pieces in Foley’s landscape can be identified. It is interesting to consider how the meaning of each work may have changed from what the artist originally intended, but the arrangements allow for a new meaning and almost revitalization of familiar works to the museum through the simple gesture of changing the context which they are viewed in. To add to the diversity of the subject throughout the exhibition you can participate in a cell phone tour that has interviews from experts other than Art Historians, such as a geologist giving opinions and insights outside of an artistic perspective. It helps to contribute to the diversity of the exhibition and paired with the artworks ultimately allows the viewer to reassess their relationship to water.




The works I selected from Water are some of the more contemporary pieces in the show. While the entire show encompasses a variety of interpretations and inspirations by different artists, there were a few pieces that caught my attention. Water is a prominent theme throughout the history of art and has been a subject for artists and people alike to dwell upon and create from. What I wanted to focus more on the non-traditional interpretations of water. Each of these artists takes more of an indirect approach to the theme and offers a view of water in a different light.


In Hans Haacke’s Condensation Cube he brings the actual process of creating water into the gallery. It it simple, clean, and elegant and is by no means what one would think of immediately when considering the topic of water. The way the light catches the drops of water creates a beautiful prismatic affect that helps to draw your attention to it, until you realize exactly what it happening in the piece. It is a combination of science and art in a process that is taught to us in school at a young age.




In Edward Foley’s piece entitled Two Lakes (diptych), we are shown a screen print on wood that deals with the subject of water in the landscape. While he strays away from the identifying color of blue for water in his work, you are able to identify the texture of the water’s surface and the reflective quality of water in each ‘lake.’ It is in fact a landscape, but it is missing information that would make it easily identifiable to us--a horizon line, trees, people, etc.




In Maya Lin’s work entitled Pin River - Hudson, is another piece that deals with the subject of water in the landscape. It is made out of steel pins nailed into the wall in a specific way to imitate the shape of the Hudson River on a map. It is delicate and intricate unlike the actual river, but possesses a similar beauty which has served as inspiration for artists for hundreds of years. The shadows cast by the pins creates a movement through the piece that gives the sense of flowing water. Not only does this piece pay tribute the artistic qualities of water, but its importance in history in the development of this country. Also, it offers a very unique view of water in the landscape.




In George A. Tice’s Water Tower, Rahway, New Jersey, we are offered a look into history. Most water towers were built during the Industrial Revolution and many are now architectural landmarks and monuments. The photograph reminds me of the New Topographics work done by Bernd and Hilla Becher in which they documented industrial architecture. Tice adapts a similar straightforward and frontal style, allowing the tower to occupy the entire frame. Like Bernd and Hilla Becher he is documenting something from a different time. Also, he is depicting one of the many sources of water throughout history in line with systems such as aqueducts, channels, pipes, and sewers. It is a portion of a long list of advancements in water technology.




In Atul Bhalla’s series of 20 individually framed photographs called Piaus, the artist depicts different forms of receiving water in an urban environment. In the photographs we are shown rusted pipes, drinking fountains, and sinks amongst different types of graffiti and other garbage. It can serve as a reflection on the quality of water in different parts of the world and the challenges that many people endure just to have safe drinking water. The pictures are portrait-like and how they are displayed extremely close to one another is effective. It allows each photograph to play off each other by way of composition, color scheme, patterns, and lines, as well as enhances their overall meaning.




These selections offer “vivid portrayals of water interlaced with human purpose that remind us of the central role of water in human endeavor.”







06 September 2010

Studio Journal - Space is Found in Our Homes

"Memories are motionless, and the more securely they are fixed in space, the sounder they are." - Gaston Bachelard




05 September 2010

Studio Journal - Night Shots

For my Photo II class I did a project titled The Urban Landscape, where I took black and white photos of Weehawken and New Brunswick at night. It was an experiment to see what I would come up with and it was successful, and I have been meaning to revisit the idea.

Tonight, I did just that. However, I used a digital camera instead of film this time and I am finding that I definitely prefer them in black and white because it creates such rich blacks. As I am reviewing the rest of my photos, I am also finding that a lot of the shots are out of focus because it's difficult to tell at night. I need to do something about that. Also, in the last 4 or 5
shots I realized the perspective that I like the most, but at least I figured it out for next time.



03 September 2010

Studio Journal - Grandmother Says

On Thursday I accompanied Emily to the beach to see her Grandma. There is nothing like AC, home cooking, and tough love.

Since I'm taking Thesis this year and know that I generally want to focus on spaces, I decided to take pictures in her house as a means of exploring my idea.


Already, I am realizing something about my idea. I am not just feeding my obsession with furniture and nice lighting I am exploring the most intimate of places--the home.



This is a home that I have been to many times. It has been a part of my childhood and is well imprinted in my memory. Which is making me think of the difference between my photographs in people I know vs. people I don't know. However, in a sense the act of photographing a person's home is almost a way of getting to know them--through their things. (I can't help but think of Fight Club "The things you own end up owning you.")


Now I have something to think about. Maybe getting back into things won't be so bad after all.

01 September 2010

It was right in front of me all along.

I am freaking out.

I don't understand when I became so conflicted about every aspect of my life and I have spent the past hour trying to convince myself that it may not necessarily be a bad thing.

I have gone as far as to say: Do I even want to do this anymore?
As well as: Why am I doing this?

Somehow I have forgotten what I love about art. However, I feel that it is partially the result of my lackadaisical attitude about everything in my life. The whole summer and maybe even before that I have been struggling with the idea of my life, the people I know, the things that I am doing. I have a waning interest in everyone and everything, and I really don't know what to look forward to anymore.

Amongst the disparity of this all let me explain why this may not necessarily be a bad thing.
I am scared shitless. I have no idea what to expect and to be honest I am afraid that I just won't be able to handle things, but having nothing to look forward to opens the window of opportunity to just go with things. To delve head first into the unknown and see what will happen. I need to "makeover" my life not just as an artist. This will be painful, but in a different way.

Now, I just have to believe that I am right.

04 August 2010

Trees Part 2

It's been quite a few months. I've been on hiatus, but now I'm beginning to come back to life.

My last post was part of a study I did on trees for my final painting project. I figured I would reintroduce myself to life by showing what I came up with. Each painting is 3ft x 4ft and involved a lot of trial and error. With each one I learned something new about how to paint trees and wanted to follow different color schemes.

Since then, I've started a few more trees and have expanded on my original ideas. I am more or less creating a forest in my room and I couldn't be happier about it. There's always a new way to look a trees and I am discovering new ways to represent them all the time.


15 April 2010

Trees




I went to Maine the first weekend of April and took a lot of photos doing studies of trees for my painting final. These were some of my favorites and I now wake up to the top two every morning.