12 February 2011

More Houses

And more questions. I have been shooting in plenty of homes, but I still have not really answered: what is the question that I am asking my photographing these homes?

I figured that as I kept going the question would more or less answer itself, but not yet. 
And so I move on to more houses.



11 February 2011

Simon Menner: Images from the secret STASI archives

"Sure, we all know what an image taken by a surveillance camera looks like, nevertheless I thought that there must be more than this. In a catchphrase: I was wondering, if Big Brother watches you, what does he see?"

06 February 2011

Critique Feburary 4, 2011

More or less I feel that critique was a wake up call to the fact that I should not feel so comfortable with the status of my thesis project because there is still work to be done.

For critique, I showed all the photographs that I have selected and edited for my thesis. It was the first time I had seen all of them together and in a lot of it is a matter of narrowing down what use. I presented my idea of displaying my work as an installation of 4 photographs hung on wood the same wood paneling that is familar to many of my pictures and one very good point was brought up: the idea that creating an installation would take away from the meaning, intimacy, and focus of the photographs making it more about the space as opposed to my father because the space that I am recreating already exists in the photographs, which I never really thought of before. Some considerations that were recommended were possibly printing on different objects that might be meaningful to my relationship with my dad and including old photographs of him, but generally that I need to rethink things.

With those photographs I also showed some experimenting with photographing objects that my dad owns or collects, which might be useful with text, however, I shot them on backdrops as opposed to in their actual spaces. I'm scrapping this idea more or less. I'm annoyed at myself for having wasted time setting things up, but now I am going to focus 1) On more meaningful objects and 2) on photographing objects in their own spaces. When I look at it now I don't quite understand why I did it, I suppose when considering making a book I was planning on captioning, so I was hoping I could possibly write about the meaning of this object to my father. However, I showed my dad the pictures and he couldn't really remember where he got any of these objects except the ship clocks... Another suggestion for the book portion of my project was the idea of it being hand made--when I think of it existing as a book I cannot help to refer to Phillip Toledano, who's book Days with my Father is very clean cut and "commercial." I like the idea of making it by hand as opposed to sending it away and having it printed professionally. It would contribute to its meaning, exemplify the relationship I am trying to capture more, and add to the idea of memories and remembrance.
Basically I have some organizing and deeper thinking to do.